Skip to main content

Top 3 reasons to use high ISO on a DSLR

When I started photography 2 years ago with a cropped sensor DSLR, ISO was one of the terms that would make me feel nervous about my own shots. Going through various blogs, there was a general perception of higher ISO values being always bad. I made a real solid picture in my mind that anything above 100 ISO would make pictures look really ugly and noisy even when the format was RAW. 

Switching slowly from landscapes to events and indoor photography after one year, the struggle to get properly exposed shots started to become fairly evident. Cultural events, music concerts and indoor sports taught me how important is the value of ISO. The need for faster shutter speed in a low light environment is one of the most common scenarios every photographer has to face at some point in his photography journey. 



Increase shutter speed -> Leads to less incoming light
Wider aperture-> Allows more light
Environment lighting -> Already very less during events. 



As seen above, a poorly lit environment makes it harder to do DSLR photography even when a lens with a wide aperture is available. ISO or external flash can be the only life saver here. I recently shot my first indoor dance event with a prime lens and a telephoto zoom lens. Interestingly even my 50 mm 1.8 mm struggled to get properly exposed shots because I was still in my old mindset of not bumping up the DSLR ISO. The event was in progress and I was losing shots, there is no worse feeling than this. Had to swallow my low ISO pride and changed the value to 800. Voila! The shots looked much much better from an exposure point of view. I came home and copied the photos to my laptop for post-processing followed by 2-3 hours of post-processing. Here is what I observed:
A poorly exposed low ISO shot when post-processed is inferior in quality as compared to a properly exposed high ISO shot. 


High ISO image
                                                             High ISO DSLR photo 


Use of external wireless flash units can help with properly exposed shots without bumping up the ISO, but most of the events don't allow this. Astro and star trail photography is another huge branch of photography that involves usage of higher values. For this, full frame cameras are the best as they are less prone to noise at higher ISO values. What do you think is a usable range of ISO value for a cropped sensor DSLR?

Comments

Popular posts from this blog

Best ultra wide angle DSLR lens for astrophotography

Selecting a DSLR or lens for a particular type of photography is never easy, speaking from personal experience. Photography is an expensive hobby, which is the reason we want to get the best out of every dollar spent. I am writing this post to help my readers know the various options available in the market for ultra wide-angle camera lenses. Tokina 11-16 mm F/2.8 ultra wide angle lens is still a part of my night photography or astrophotography gear. It is one of the best purchases I ever made when it comes to photography. An ultra-wide angle camera lens is a lens having a range less than 15 mm for a cropped (APS-C) sensor. For a 35 mm film or full frame camera, the value is 24 mm. In simple terms, an ultra wide angle lens covers an extremely wide area or offers a wider field of view. This makes even bigger mountains look smaller when an ultra wide angle lens is used.  Milky way shot using Tokina 11-16 mm There are so many third-party manufacturers of lenses in additio...

Canon CR3 raw format guide

A raw image file is like a digital negative without any lossy compression and minimal processing applied to it. A digital camera shooting images in raw format provides output in the best possible quality, which means files are larger in size and take more space. The benefits offered by shooting raw format overpowers the slight storage hassle though. Few of the well known raw formats include CR2, NEF, RW2, RAF, PEF, ARW, etc.  In this post, we will talk about the new compressed raw format introduced by Canon starting with its mirrorless series of cameras. History of Canon raw formats Back in the early 2000s, Canon cameras produced raw photos in CRW format. Cameras shooting in CRW include Canon D60, Canon D30, Canon 10D, and Canon EOS 300D. Most of the cameras released after the year 2004 shoot raw photos in CR2 format. Examples of CR2 format Canon cameras include 350D, 6D, 7D, 5D, 5D Mark II and many more. In 2018, Canon introduced its new mirrorless camera known as th...

Depth of field photography guide for beginners

Depth of field in photography is essentially what's in focus. It could be +/- "y" feet from point of focus. There are a lot of discussions on the internet about bokeh vs background blur which makes depth of field a confusing topic for beginners. Terminologies such as bokeh, background blur, shallow depth of field and deep depth of field are all interlinked with the concept of depth of field. Commonly abbreviated as DOF, depth of field forms a very important part of modern-day digital photography. It can tremendously help to achieve creative shots in literally any field of photography. In the next section, I will describe the above terms in simple words skipping any involvement of physics. Shallow depth of field means everything except the focused subject is blurred out. This can include an object either from foreground or background. A deeper depth of field means everything is sharp and in focus. A good example of deep depth of field photographs would be landscape phot...